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Made in Italy and the Luxury Market : Heritage, Sustainability and Innovation
Made in Italy holds a highly significant position in the global luxury market, as an economic, cultural, and social phenomenon, and the textbook example of the country-of-origin effect.Whilst in the past luxury was conceptualized as an exclusive benefit of the few, it is now a highly diversified ecosystem with disruptive challenges to its identity and authenticity, led by new customer segments.This book – through an analysis of diverse cases – answers the key issues in the industry of the new Made in Italy luxury, with a particular focus on sustainability. The book provides an in-depth view into luxury Made in Italy, from historical roots, heritage, and tradition to major forces of change and innovative, entrepreneurial adaptations in the 21st century.It situates Made in Italy in the broader global context of change, with regards to the call for sustainable manufacturing and consumption.Written by an international pool of academics and experts in luxury brand management, the book presents a series of case studies to explore how the industry is responding to new consumer expectations and demand to maintain competitive advantage. This unique collection will be of interest for academics, scholars, and upper-level students across the fields of luxury management and marketing, brand management, consumer behavior as well as sustainability.
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Non-Design : Architecture, Liberalism, and the Market
Anthony Fontenot’s staggeringly ambitious book uncovers the surprisingly libertarian heart of the most influential British and American architectural and urbanist discourses of the postwar period, expressed as a critique of central design and a support of spontaneous order.Non-Design illuminates the unexpected philosophical common ground between enemies of state support, most prominently the economist Friedrich Hayek, and numerous notable postwar architects and urbanists like Robert Venturi, Denise Scott Brown, Reyner Banham, and Jane Jacobs.These thinkers espoused a distinctive concept of "non-design,"characterized by a rejection of conscious design and an embrace of various phenomenon that emerge without intention or deliberate human guidance.This diffuse and complex body of theories discarded many of the cultural presuppositions of the time, shunning the traditions of modern design in favor of the wisdom, freedom, and self-organizing capacity of the market.Fontenot reveals the little-known commonalities between the aesthetic deregulation sought by ostensibly liberal thinkers and Hayek’s more controversial conception of state power, detailing what this unexplored affinity means for our conceptions of political liberalism.Non-Design thoroughly recasts conventional views of postwar architecture and urbanism, as well as liberal and libertarian philosophies.
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Medical Device Design : Innovation from Concept to Market
Medical Device Design: Innovation from Concept to Market, Second Edition provides the bridge between engineering design and medical device development.There is no single text that addresses the plethora of design issues a medical devices designer meets when developing new products or improving older ones; this book fills that need.It addresses medical devices' regulatory (FDA and EU) requirements, shows the essential methodologies medical designers must understand to ensure their products meet requirements, and brings together proven design protocols, thus enabling engineers and medical device manufacturers to rapidly bring new products to the marketplace. This book is unique because it takes the reader through the process of medical device development, from very early stages of conceptualization, to commercialization on the global market.This rare resource can be used by both professionals and newcomers to device design.
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Architecture Asia: Renovation and Innovation
Architecture Asia, as the official journal of the Architects Regional Council Asia, aims to provide a forum, not only for presenting Asian phenomena and their characteristics to the world, but also for understanding diversity and multiculturalism within Asia from a global perspective. This issue reveals how old buildings can be updated to realise innovation through renovation, and features three essays and eleven projects that elaborate this perspective.The three essays discuss regenerative architecture in Pakistan that create contemporary examples of traditional architecture, the revitalisation of old buildings in Hong Kong, China for heritage conservation-along the concept of updating the "hardware" and "software" of the building-and the sharing and regeneration of historical heritage spaces in old towns in Xiamen, China.The 11 projects, accompanied with full-colour photos and text descriptions, highlight architectural works that showcase the theme of renovation and innovation across projects that include a house, library, chapel, and clinic, to reveal how these buildings embody sustainability and innovation, and re-energise cities.
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Does market research hinder innovation in business administration?
Market research does not necessarily hinder innovation in business administration. In fact, it can provide valuable insights into consumer needs and preferences, helping businesses to develop innovative products and services that meet market demands. By understanding market trends and customer behavior, businesses can identify opportunities for innovation and stay ahead of competitors. However, relying too heavily on market research without allowing room for creativity and risk-taking can limit the potential for groundbreaking innovations. It is important for businesses to strike a balance between leveraging market research and fostering a culture of innovation to drive success in business administration.
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What is the difference between interior architecture and interior design?
Interior architecture focuses on the structural and spatial elements of a space, including the layout, flow, and functionality. It involves designing and coordinating the interior structure of a building, such as walls, ceilings, and floors. On the other hand, interior design focuses on the aesthetics and decorative aspects of a space, including furniture, color schemes, and accessories. It involves creating a cohesive and visually appealing environment that reflects the client's needs and style preferences. While interior architecture deals with the physical structure of a space, interior design focuses on the visual and decorative elements.
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How can one study architecture or interior design?
One can study architecture or interior design by enrolling in a formal education program such as a bachelor's or master's degree in architecture or interior design at a university or college. These programs typically cover design principles, building technology, history of architecture, and practical skills such as drafting and computer-aided design. Additionally, gaining practical experience through internships or apprenticeships with established architects or designers can provide valuable hands-on learning opportunities. Networking with professionals in the field and attending workshops, conferences, and exhibitions can also help in expanding one's knowledge and skills in architecture or interior design.
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What is better, product design or interior architecture?
The answer to whether product design or interior architecture is better ultimately depends on personal interests and career goals. Product design involves creating tangible objects that serve a specific function, while interior architecture focuses on designing interior spaces that enhance the user experience. Both fields offer unique opportunities for creativity and innovation, so it is important to consider which aligns more with your passions and strengths. Ultimately, the decision between product design and interior architecture should be based on individual preferences and career aspirations.
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Practising Wood in Architecture : Connecting Design, Construction and Sustainability
In the stark light of the climate emergency, using wood instead of concrete, steel or masonry is increasingly seen as a way of reducing the environmental impact of architecture and construction.More and more new buildings are showcasing innovative ways to work with wood.Wood can help architects achieve ambitious sustainability targets, including the United Nations’ Sustainable Development Goals. How can architects, student architects, and those in the construction industry better understand the qualities, characteristics, and possibilities of building with wood?Practising Wood in Architecture explores the methods, philosophies, and possibilities of contemporary teaching practices in architecture.This book explores how architecture students are learning to build with wood and interrogates the consequences for architectural practice. Based on original research conducted over two years, the book explores innovative projects that use wood in China, England, Finland, Germany, Mongolia, South Africa, and Switzerland.These case studies demonstrate the many advantages of wood, including its simplicity of use, its affordability, and its sustainability.The book focuses on ongoing initiatives that show the educational and professional impact of the use of wood in architecture and construction by students and professionals alike.
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Practising Wood in Architecture : Connecting Design, Construction and Sustainability
In the stark light of the climate emergency, using wood instead of concrete, steel or masonry is increasingly seen as a way of reducing the environmental impact of architecture and construction.More and more new buildings are showcasing innovative ways to work with wood.Wood can help architects achieve ambitious sustainability targets, including the United Nations’ Sustainable Development Goals. How can architects, student architects, and those in the construction industry better understand the qualities, characteristics, and possibilities of building with wood?Practising Wood in Architecture explores the methods, philosophies, and possibilities of contemporary teaching practices in architecture.This book explores how architecture students are learning to build with wood and interrogates the consequences for architectural practice. Based on original research conducted over two years, the book explores innovative projects that use wood in China, England, Finland, Germany, Mongolia, South Africa, and Switzerland.These case studies demonstrate the many advantages of wood, including its simplicity of use, its affordability, and its sustainability.The book focuses on ongoing initiatives that show the educational and professional impact of the use of wood in architecture and construction by students and professionals alike.
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Transacting as Art, Design and Architecture : A Non-Commercial Market
Transacting as Art, Design and Architecture: A Non-Commercial Market re-performs the original event #TransActing: A Market of Values as a printed text with the ambition of investing in the published word and image at least some of the original market’s depth and liveness.Holding fast to the experimental ethos of Critical Practice, this anthology does not shy away from risk when the aim is expanding the fields of art, design and architectural research.The authors’ distinct but also overlapping forms (practical, poetic, analytical, etc.) track with the plurality of voices, the processes that have nurtured the cluster as it has worked internationally for more than a decade to produce unique projects. The book opens with contributions that reflect on TransActing as collaborative practice-based research.The introduction contextualizes this popup market within London’s long history of local marketplaces.Cued by emerging government policy on market sustainability, the tripartite of place, people and prosperity helps to frame TransActing.Taking a different approach, a partial self-portrait of Critical Practice traces TransActing’s becoming over more than a decade of activity and five years of research on value.This is followed by an account of the market’s physical infrastructure: the prototyping of bespoke stalls which were built from recycled materials, an approach inspired by an early example of open-source furniture design.This comes to life in the next section: polyphonic observations on the stalls in use and the market more generally.The stallholders’ reflections capture the experience of those directly involved and are richly illustrated with images of or related to their stalls. The second part of Transacting as Art, Design and Architecture is composed of commissioned texts to contextualise the market by weaving together references from various fields.These include celebrating the value system of TransActing, especially its critique econometrics.Closely connected to the latter, which was occasioned by Critical Practice’s tenth anniversary, is the subsequent paper's consideration of invisible, feminized labour, which is as undervalued as it is indispensable to cultural production.Taking a slightly different tack is the use of architectural theory (past and present) to trace the transforming nature of the public market, especially as an arena of consumerism.This is followed by an account that looks at the experience of TransActing from the perspective of its local currency.This story is followed by a conversation on the art market and/or the markets of art.This brings the reader to a manifesto-like text that calls for solidarity through publishing, understood as the co-production of meaning through a distributed social process.The penultimate contribution to this collection considers TransActing as a built environment with reference to the market’s shelters and platforms.Finally, a glossary rounds off and opens up the publication as a resource.This compilation of key terms adds nuance to the language used throughout this publication to indicate its resonance in the discourse of Critical Practice. The collection aims to prioritize practice-based insights as an alternative to knowledge-based ones.In this way the book aims to be a refreshing take, one that moves art-research discussions beyond the creation of knowledge.As such, this book will appeal to all those involved in the ‘research turn’ in contemporary cultural production, including those working in institutions and organizations, especially ones with strong community engagement programmes, as well as independent practitioners working in social and socially engaged practice. Primary readership will be practitioners of art, design, curating and architecture and students studying in these fields.The secondary audience will include cultural producers, theorists, educators and others who are interested in how art and other forms of creative practice can challenge the ‘usual’ financial circuits of value and open up alternatives.
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Managing Innovation : Integrating Technological, Market and Organizational Change
Now in its seventh edition, Managing Innovation: Integrating Technological, Market and Organizational Change enables graduate and undergraduate students to develop the unique skill set and the foundational knowledge required to successfully manage innovation, technology, and new product development.This bestselling text has been fully updated with new data, new methods, and new concepts while still retaining its holistic approach the subject.The text provides an integrated, evidence-based methodology to innovation management that is supported by the latest academic research and the authors’ extensive experience in real-world management practice. Students are provided with an impressive range of learning tools—including numerous case studies, illustrative examples, discussions questions, and key information boxes—to help them explore the innovation process and its relation to the markets, technology, and the organization. “Research Notes" examine the latest evidence and topics in the field, while "Views from the Front Line" offer insights from practicing innovation managers and connect the covered material to actual experiences and challenges.Throughout the text, students are encouraged to apply their knowledge and critical thinking skills to business model innovation, creativity, entrepreneurship, service innovation, and many more current and emerging approaches and practices.
Price: 49.95 £ | Shipping*: 0.00 £
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What are the differences and similarities between social market economy and eco-social market economy?
The main difference between a social market economy and an eco-social market economy is the emphasis on environmental sustainability. While both systems aim to balance economic growth with social welfare, an eco-social market economy places a greater emphasis on protecting the environment and promoting sustainable practices. This includes implementing regulations and incentives to encourage businesses to operate in an environmentally friendly manner. However, both systems prioritize social welfare and aim to create a fair and inclusive society.
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Who has already suffered from noise due to craftsmen, renovation, construction and remodeling work?
People living in residential areas, especially those in urban areas, have likely suffered from noise due to craftsmen, renovation, construction, and remodeling work. Additionally, individuals working in office buildings or commercial spaces may have also experienced noise disruptions from nearby construction or renovation projects. Furthermore, students in schools or universities located near construction sites may have been affected by the noise as well.
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What is the difference between interior design and architecture?
Interior design focuses on the aesthetic and functional aspects of the interior spaces within a building, including furniture, color schemes, and decor. It involves creating a cohesive and visually appealing environment that meets the needs and preferences of the occupants. On the other hand, architecture is the art and science of designing and constructing buildings and other physical structures. It encompasses the overall design, structural integrity, and functionality of the entire building, including the exterior and interior spaces. While interior design focuses on the interior environment, architecture encompasses the entire built environment.
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How can one transition from interior design to architecture?
One can transition from interior design to architecture by pursuing further education and obtaining a degree in architecture. This will provide a deeper understanding of structural design, building systems, and construction methods. Additionally, gaining experience in architectural firms or working on architectural projects can help in making the transition. It is also important to develop a strong portfolio that showcases architectural design skills and knowledge. Networking with architects and seeking mentorship can also be beneficial in making the transition from interior design to architecture.
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